Yippee! Digitech Updates the Stomp Shop App for the iStomp
A while ago we wrote about Digitech’s iStomp, a pedal that can be loaded with any of dozens of very nice FX via Digitech’s Stomp Shop app. Alas, we discovered soon after that the app had been discontinued by Digitech pendng an update to make…
Recording “Beautiful at Night” with the Mustang III
About a month ago Edward Abbiatti, leader of the Lowlands Band (whose last gig I unfortunately missed in April) asked me if I’d like to play on a track called “Beautiful, At Night” from his next record (which I think not coincidentally is called “Beautiful,…
From My 4-track Cassette Days: “Highway 61 Revisited”
Highway 61 Revisited by Bob Dylan, recorded by Richard Hunter all instruments and vocals by Richard Hunter I’ve been transferring my cassette tape archives to digital media, and I’m finding stuff I like. It’s amazing to remember that in the 1980s cassette tape (or for…
Our First Video on Bluesharmonica.com is up and running!
Inspired by David Barrett’s review of the Fender Mustang I on Bluesharmonica.com, we did a video to introduce harmonica players to the front panels and software that run the Fender Mustang amps. You can find that video on Bluesharmonica.com now (if you’re a member of…
Thinking Through the Sounds and Gear for “Blue Future”
One thing that my work on the Fender Mustang patchset reinforced in me is that the microphone that’s used with an amp has a very big effect on the overall sound. So if you want a sound that’s in the ballpark of “authentic” for a…
Stay tuned for details on the instruments and FX used for “The Lucky One!”
“The Lucky One,” my 21st century rock harmonica record, will be released this month. Once it’s released, I’m going to do a series of posts in which I describe the harmonicas and FX used on the record, track-by-track. In case you were wondering, EVERY harmonica…
Huntersounds RP500 Licensees: Get Ready for the “Lucky One” patchset
I put together a lot of customized sounds for the Digitech RP500 for my upcoming record “The Lucky One.” A number of those sounds are specifically designed to work together in a loop, i.e. they’ve been engineered to fill in the audio spectrum without clashing….
Playing the Regionals for the Inc. Magazine Battle of the Corporate Bands
I was contacted earlier this year by Mike Corso, who like me works at Gartner, Inc. to ask me if I’d like to play with a (mostly) Gartner employee band in the Inc. Magazine Battle of the Corporate Bands. Mike, who is a frontman in…
Why is Harmonica Not a Foundational Instrument? Because You Can’t Sing While You Play It
There are a few instruments–or roles, perhaps–that you hear in just about every band that’s playing anything related to roots or any popular style. Something is making a bass line. Something is percussively pounding out a rhythm. Something is playing chords or adding color above…
How to Set Your RP Up for Multi-Layered Looping
Now that the Huntersounds v17 Patchset for Digitech RP500 is shipping, I’ve started configuring my RP500 for live performance, which means adding in patches that are song-specific and setting up the sequences of patches that I use in my looped performances. Every looped song is…
