Why We Make Big Cool Sounds for Harp Players: History is On Our Side
There was a recent discussion on Harp-L of FX, which I found revealing of all sorts of things. It’s chronicled here, and be warned: gotta lotta words. (The boldface emphases I put on certain lines in that discussion were added by me, and were not…
Digitech RP360XP or RP500? Here’s how I make up my mind
I published most of this post in a response to a question posted in the comments here. I figured that it was worth publishing as a post in its own right. So here are a half dozen things I think about when I’m choosing between…
What a Difference a Mic Makes, Part 1 (of 2)
I get a lot of requests to make patches sound tougher and more distorted. (Nobody ever says “make something that sounds angelic.” I do it anyway.) Anyway, I realized recently that I’ve been focused on making the patches in the RP tougher, and I haven’t…
Comparing the Zoom G3 to the Digitech RP
As I work on patches for the Zoom G3 (now in version 2; see our Zoom G3 page), I’m constantly comparing what I hear to the sounds I get from my Digitech RP355. In fact, I have the two boxes side by side on the…
Cracking the code on the Zoom G3
I’ve made a number of runs at the G3 in the last few days, and I have about 8-9 patches that sound very good to me. The count is somewhat misleading. Because you can use dedicated footswitches to bring FX modules in and out of…
Gear Review: Tech 21 Blonde v2 Fender Amp Modeling Pedal
The Tech 21 Blonde (v2 in this case) is a stompbox amp modeling pedal designed to emulate a range of Fender amps, a role that it fills very well. It’s one of a series of “Character” pedals from Tech 21, whose experience building analog amp…
Gear Review: Three mics to do it all
Different mics produce very different sounds, as the samples here show, and no mic by itself can do the best possible job on everything that a harmonica player might want to play. But a harmonica player can cover an amazing range of material and performance…
RP Tip #5: How to connect the RP to everything
Connecting the RP to other gear, like your amp and your mic, is really pretty simple. You don’t need a preamp between the mic and the RP; the RP is a preamp. You don’t need a direct box between your RP and the amp or…
Richard Hunter's harmonica + amp modeler series #3
Richard Hunter: setting up the Digitech RP200 for performance
