My rig is always in flux; I’m always trying a new piece here or there. Over time my rig tends to spread, like kudzu, taking up more space on the floor and more time to set up and tear down.
Blog, Hunter's Effects, Hunter's Music, Recommended Artists & Recordings, Recommended Gear, Recorded Performances (live and otherwise)
As readers of my blog know, just before the end of 2014, I did a couple of recording sessions for an ESPN documentary called “Keepers of the Streak.” To my surprise, the show, which I watched last night from start to finish, turned out to be a very cool piece about four very accomplished photographers who’ve collectively photographed every Superbowl from the start. The music included a lot of nice stuff that I didn’t know about when I recorded my own parts, and most of my favorite harmonica cues from the sessions ended up in the final cut, with the harp positioned nicely up front in the mix. I enjoyed every minute of it, which is saying a lot, because I’m not really a bigtime football fan. (Beyonce won the SuperBowl last year, right? I wish I’d seen that…)
Digitech RPs have a very nice single-line pitch shifter, and a very nice rotary speaker effect too. If you could use them both at once, which you can’t do on a single RP, you’d get some decent simple organ tones. (You can actually get decent organ tones with a rotary speaker alone, but a pitch shifter helps a lot.) But if you really want to emulate the sound of a Hammond organ, you need multi-timbral pitch shifting–the kind you get with an ElectroHarmonix POG or HOG, where you have multiple independent pitch-shifted lines running in parallel. Unfortunately, a HOG or POG costs $300 and up, and it takes up a pretty big chunk of space at your feet, too.
I decided last week to check out a promising alternative: the Digitech iStomp, an interesting device that’s essentially a reconfigurable stompbox. I bought my iStomp from guitarcenter.com used for about $60 shipped, a savings of close to 50% compared to buying new.
I reported on this blog not long ago about a session I did for an ESPN movie called “Keepers of the Streak.” I spent Christmas in Idaho, and not long after I arrived there I got a call for a second session for this movie. The composer, Brian Keane, specifically asked if I could do acoustic tracks, and mentioned that he wanted something along the line of Toots Thielemans, meaning of course some cool-toned chromatic harp.
With the new possibility that Digitech will retire the RP355, it’s important to ask again whether it’s better to get an RP355 or an RP360XP. Here’s my current thinking on the topic.
I noticed something interesting in the last few days. First, the price of new Digitech RP255s has dropped to about $100. That’s a pretty good deal on a pretty capable device. Second, RP355s are listed as discontinued at Sweetwater, Musicians Friend, etc. etc. Put it together, and you’ve got to ask: is Digitech quietly phasing out the RP355?
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Here are a couple of new cuts from the same sessions that produced “On the Road Again” and the funky loop jam. “Dawn Like Thunder” is a slow, peaceful piece with some beautiful counterpoint. The patch I use to play it has an LFO modulating pitch–basically, flipping back and forth rapidly between a note and the octave below–with the level of the LFO, i.e. the volume of the effect, under expression pedal control. “Heavy Rock LFO” starts with a very hard-edged line played with the same patch as “Dawn Like Thunder,” and it’s soon joined by even hard-edged stuff.
Dawn Like Thunder composed and performed by Richard Hunter. Copyright 2014 Richard Hunter. all rights reserved
Heavy Rock LFO composed and performed by Richard Hunter. Copyright 2014 Richard Hunter. all rights reserved