I’ve been putting loops together using the Zoom G3 and Digitech RP355 running in parallel, and the sounds are amazingly big and colorful. The samples below, recorded directly to my Digitech Jamman Stereo, then exported as 16 bit WAV files, speak (loudly) for themselves. The chain starts with a Fireball V mic, followed by an ABY box, where the signal is split and sent to a Zoom G3 and a Digitech RP355, running in parallel. The outputs from the G3 and the RP355 go to the channel 5-6 and 7-8 inputs of a Behringer UB802 mixer, along with the output from the TC-Helicon Voicelive Play (for vocals), which goes to one of the mic channels. The stereo main outs from the UB802 go to the stereo inputs on the JamMan Stereo, and the JamMan Stereo puts out a mono signal to a Peavey KB2 amp. (I want a stereo setup sometime soon.) The amp is recorded with a Zoom H4, positioned about six inches from the center of the speaker grill.

These samples are copyright 2013 Richard Hunter/Turtle Hill Productions/ASCAP, and all rights are reserved. Enjoy listening.

A short sample of a funky NOLA rhythm with a juicy RP355 FX25 autowah. Autowah seems to work for harp, period.

A short three-harp piece, all parts played on a Db country-tuned Suzuki Manji. One part, again with multiple pitch shifters and vibrato, is played with the G3, and it traces the notes of an Eb major 6th chord, then the same shape a major 2nd down. (It’s played in 3rd position, which is major on a country-tuned harp.) Another part plays midrange chords and melodies with a much more transparent RP355 sound; finally, a double-octave-down RP355 patch is used with a 12th voicing on the 1-6 draw and blow notes. The sound as a whole is deep, beautiful, and new; in fact, it’s a new sound for any ensemble.