Great performance, distorted recording: “So Sweet” with Brian Maw, Nov 16 2012
The quality of the recording attached to this post is not very high, but the performance is killer. This is me playing a Special 20 C harp through my Audix Fireball mic into my Digitech RP355 running a Champ amp model patch, and from there straight to the PA. The harmonica part was improvised, and I had never played the piece in this way, with this sound and laidback feel. In my head I heard really simple lines with lots of emotion (meaning lots of attention to dynamics and vibrato), and I played it pretty much that way. (It’s easy to play what you hear when you slow things down–you can get very intentional when you’re not playing catch-up with a fast stream of ideas.) The sound is pure amped blues, and through the PA it’s big, with plenty of detail in every sound, no matter how intimate or broad. (I played the same song with a rotary speaker patch the very next night, and it didn’t sound anywhere near as emotionally intense.) The piece was recorded at a gig with The Maw Band at the Timberline, Victor, ID, on Nov. 16 2012, and of course the composition is by Brian Maw (and is copyrighted, all rights reserved).
I posted this piece, warts and all, to make the point that the RP all by itself produces big, beautiful amped blues sounds. And this is indeed a beautiful sound, good enough for most players to consider using it all night long. (But why do that when you’ve got an RP full of great sounds?) If you want to make these sounds yourself, check out my patch set for Digitech RP.