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“Keepers of the Streak” Is Totally Cool, Whether or Not You’re All About Football

As readers of my blog know, just before the end of 2014, I did a couple of recording sessions for an ESPN documentary called “Keepers of the Streak.” To my surprise, the show, which I watched last night from start to finish, turned out to be a very cool piece about four very accomplished photographers who’ve collectively photographed every Superbowl from the start. The music included a lot of nice stuff that I didn’t know about when I recorded my own parts, and most of my favorite harmonica cues from the sessions ended up in the final cut, with the harp positioned nicely up front in the mix. I enjoyed every minute of it, which is saying a lot, because I’m not really a bigtime football fan. (Beyonce won the SuperBowl last year, right? I wish I’d seen that…)
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Blog, Hunter's Effects, Recommended Gear, Recorded Performances (live and otherwise)

Keepers of the Streak Part 2

I reported on this blog not long ago about a session I did for an ESPN movie called “Keepers of the Streak.” I spent Christmas in Idaho, and not long after I arrived there I got a call for a second session for this movie. The composer, Brian Keane, specifically asked if I could do acoustic tracks, and mentioned that he wanted something along the line of Toots Thielemans, meaning of course some cool-toned chromatic harp.

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More RP355 Loop Jams–This Time, Rock

Here are a couple of new cuts from the same sessions that produced “On the Road Again” and the funky loop jam. “Dawn Like Thunder” is a slow, peaceful piece with some beautiful counterpoint. The patch I use to play it has an LFO modulating pitch–basically, flipping back and forth rapidly between a note and the octave below–with the level of the LFO, i.e. the volume of the effect, under expression pedal control. “Heavy Rock LFO” starts with a very hard-edged line played with the same patch as “Dawn Like Thunder,” and it’s soon joined by even hard-edged stuff.

Enjoy.

Dawn Like Thunder composed and performed by Richard Hunter. Copyright 2014 Richard Hunter. all rights reserved

Heavy Rock LFO composed and performed by Richard Hunter. Copyright 2014 Richard Hunter. all rights reserved

Audio/Video, Blog, Hunter's Effects, Recommended Artists & Recordings, Recommended Gear, Recorded Performances (live and otherwise)

“On The Road Again” with the RP355

The piece attached to this post is a segment from a performance I put together using the Digitech RP355 loaded with my patch set for Digitech RP, plus the RP355’s builtin looper. The sounds include beatboxed percussion (run through a patch with heavy vibrato and delay), a double octave down patch with a wah wah set to low-pass the frequencies, a tenor sax octave-down patch, and a kind of psycho organ patch with heavy vibrato (the same one I beatboxed through, if I recall). All the sounds were created by me, and in most cases are versions of the patches in my patch set for Digitech RP that I customized for a particular song.
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The RP355 Has A Looper, And I’ve Seen It In Action

I’m in Idaho as I write this, and my rig in Idaho consists of a Digitech RP355, an Audix Fireball, and a Peavey KB2 amp. I was jamming on that rig a day or so ago, and I remembered that the RP355 has a looper. It’s not much of a looper–it only has 20 seconds of loop time, the ergonomics aren’t tops, and it won’t drop the latest layer of the loop in and out on command like the JamMan Stereo–but it does what it does, and I used it to make the piece you hear below.
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“Widow’s Walk” Live October 29 2014

This performance was delivered live to an audience of Chief Information Officers, most of them Brazilian, at Gartner’s Brazil Symposium on October 29, 2014. I played into a Shure 58 mic, which was amplified via a small PA system (I don’t think the woofers were bigger than 8 inches, if that) with zero FX. It was recorded via the builtin microphones on my Zoom H4, and no post-processing was applied to the recording.

“Widow’s Walk” is one of my most complex and moving (in every sense of the word) compositions for diatonic harmonica, and this live performance of the piece shows the various lines and textures off well. It begins in first position on a G Natural Minor harmonica, i.e. in the key of C minor. Before it’s over, it’s toured G minor and Eb major as well. The textures include counter-melodies played out of both sides of the mouth at once, octaves, 10ths, and 12ths, 5ths and 4ths, single notes, and block chords. The Natural Minor tuning makes almost any combination of notes sound good, so you can get a wide range of voicings and big sounds all over the instrument. The independent lines span intervals up to a minor 13th, with movement at both ends.
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“Comin Home Baby” Live with Wim Dijkgraaf, 29 October 2014

I’ve known Dutch-born harmonica virtuoso and composer Wim Dijkgraaf since the late 1990s. Wim now lives in Sao Paolo, Brazil, and I joined up with him there at Gartner’s Symposium ITXPO conference to perform this duet on Ben Tucker’s “Comin Home Baby” in front of an audience of Chief Information Officers, mostly from Brazil.
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Live with Derrik and the Dynamos, Wilson, WY, August 2014

I had the opportunity to perform with Derrik Huffsmith and his band Derrik & the Dynamos at a gig near Wilson, Wyoming this August. The band included Phil Round on bass and vocals, Ed Domer on drums, and Don Christenson, who I’d never met before, on keys. We played a lot of covers at this gig; this performance, of Dylan’s “Ill Be Your Baby Tonight,” is one of my favorites from the gig.
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Live with Michael G. Batdorf at Pendl’s Cafe, August 24 2014

I spent August 8 through August 26 in Idaho this summer, and I sat in with Michael G. Batdorf, notable singer/songwriter, twice at Pendl’s cafe in Driggs during that period. (On a third occasion I showed up to play and found that Michael was held up behind 600 bicyclists conducting a road trip from Jackson Wyoming to Victor Idaho, so I ended up playing the gig solo.) I recorded the entire two hours on the morning of August 24, and this piece, which is titled “Beyond The Mask,” is one of my favorites from the set.
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Audio/Video, Blog, Hunter's Effects, Hunter's Music, Recommended Artists & Recordings, Recommended Gear, Recorded Performances (live and otherwise)

Funking it up with the RP360XP Looper

I’ve been in Idaho for a couple of weeks with only my RP360XP for a looping device. The 360XP has a usable but limited looper: 40 seconds maximum loop time, can’t have more than one loop in memory at a time, can’t remove the latest layer of a loop (as you can with the JamMan Stereo and Solo XT), can’t save a loop for later use. So it’s really a live-only looper, and its usefulness there is hampered by the fact that you have to step on it twice in rapid succession to turn a loop off, which makes timing an ending pretty difficult. But for simple loops, it’s functional enough, and it records audio through whatever patch is running on the RP at the time. So it’s ideal for showing off what kinds of sounds you can make, and roles you can play, with the RP360XP.

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